Friends Philharmonic
TIME
DURATION
75 min
(+ Intermission)
WORKS
L. Lacy: SOUND (Full Version)
I. Stravinsky: Les Noces
DOORS OPEN 30 MINS BEFORE THE SHOW.

WORKS
L. Lacy: SOUND (Full Version)
35 min
Clément Mao-Takacs, conductor
ÆTLA Vocal Ensemble
Friends Philharmonic: Ellen Brunsbjerg, Esther Fog-Nielsen, Hedda Aadland, Julia Pamina, Kirsten Kjær, Lorenzo Colombo, Marta Soggetti, Olga Melby, Piotr Dubajko, Selma Teilmann, Simon Gad, TBA
I. Stravinsky: Les Noces
25 min
Clément Mao-Takacs, conductor
TBA, soprano
Choir: Anna Gerda Sylvest, Berte Wiggers, Daniel Rosenberg, Freja Højland, Kristoffer Appel, Magnus Mariegaard, Martine Johanne Tordendahl, ÆTLA Vocal Ensemble, TBA
Choir: Anna Gerda Sylvest, Berte Wiggers, Daniel Rosenberg, Freja Højland, Kristoffer Appel, Magnus Mariegaard, Martine Johanne Tordendahl, ÆTLA Vocal Ensemble, TBA
Percussion: Kalle Hakosalo, Lorenzo Colombo, Marta Soggetti, Megan Campbell, Niccolò Nocciolini, Tomáš Bažo
Pianos: David Munk-Nielsen, Elias Condado, Gustav Piekut, Kristian Riisager
Voices, rhythms & four grand pianos
Festival & Friends is delighted to present the full version of SOUND by Lil Lacy. Lil Lacy is our composer-in-residence for 2025–2026, and during this time, we have gathered reflections and statements from musicians and singers around the world, including those connected to the festival. SOUND utilises these statements and is a sonic celebration of the passion and dedication of musicians everywhere — without you, there would be no music. The work is performed by the vocal ensemble ÆTLA, accompanied by strings and percussion.
Stravinsky’s Les Noces (“The Wedding”) combines folk-inspired melodies and irregular rhythms in a way not dissimilar to his seminal Le Sacre du Printemps, but in an altogether more comedic style. The work is scored for an unusual ensemble: four vocal soloists, mixed choir, four pianists (meaning there will be four grand pianos on stage!), and percussion, omitting traditional orchestral instruments such as strings or winds. This sparse, percussive instrumentation creates a sharp, rhythmic energy. The music’s fragmented, repetitive structures, with recurring patterns and dramatic rhythms, give a ceremonial, almost dance-like quality that feels both timeless and modernist. Les Noces can be seen as a musical ritual, where rhythm, text, and voices merge into an intense musical experience.





